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View related multimedia and linksTailor
Tailor Mark Hutter, left, and apprentice Neal Hurst, right, measure interpreter Christine Diffell for stays at their new shop next to the Peyton Randolph House on Nicholson Street.
The art of cutting
The word “tailoring” means “the art of cutting” in many languages, and indeed, it is the cut of the fabric that makes a garment fit the body to perfection. A tailor’s skill in measuring an individual’s body and making a pattern from those measurements determines how well a garment fits. Tailors made clothes for both men and women. Shirts, stockings, hats, and capes were ready made, but coats, weskits, breeches, stays, and gowns were custom made for individuals. So, no matter what a person’s social or economic status, everyone was a potential customer of a tailor.
The tailoring trade originally included gown making or mantua making. In 1675, mantua making became a separate trade – not because gowns were worn only by women, but because of the skills necessary to make a gown. Mantua making required the skill of draping, while the tailor made flat patterns.
Stays promoted proper posture
Tailors had very young customers, too, because tailors made stays – the boned body supports that gave structure to the bodices of the clothing of women and children. In 1775, it was imperative that proper English children learned to stand, sit, and move properly, so boys wore stays until they were three or four years old. Stays helped perfect the posture and allowed a broad, open rib cage for proper breathing, thus ensuring good health. Baleine taken from the roof of the mouth of a whale was a perfect material for the “boning” material in stays.
Stays “bestow a good shape where nature has not designed it,” wrote Richard Campbell in The London Tradesman in 1747. Adult men did not wear stays. Weskits and coats gave a man support and structure for the rest of his life.
Clothes for men and women
Women’s clothes made by tailors included stays, riding habits, Jesuits, Brunswicks, and hoops, but the real bread and butter of the tailoring trade was in the making of men’s coats, weskits, and breeches.
Tailors also made cloaks, Newmarkets, hunting coats, great coats, wrapping gowns, and banyans – a type of loose fitting coat with origins in India – which men often worn at home, or in a tavern or gentlemen’s club. In the sultry weather of Virginia, the banyan served as a comfortable replacement for tight fitting clothing men normally wore. Colonial tailors also made Sherryvallies – overbreeches made of cotton, linen, brown denim, or leather that buttoned from knee to hip. These utilitarian breeches protected a man’s finer clothing from dust, dirt, and horse sweat. Thomas Jefferson was known to wear Sherryvallies.
Fabric made the difference
The tailor’s customer ran the full social gamut – from the wealthy and elite to field slaves, and all the folks in between. The only discernable differences in the clothing for rich or poor was in the quality of the fabric. There was less difference in the quality of construction than in the type of fabric, since there was basically the same workmanship in a shirt for a slave as there was in a gentleman's fine silks. Most tailors did not sell fabric, so people selected fabric from a merchant in town and brought their own fabric to the tailor. Of the 16 or so tailor shops known to have been in Williamsburg in 1774, only two of those were merchant tailors – Prosser and Nicholson, located at opposite ends of the street.
Tailoring in Williamsburg today
Today, the tailors working in Colonial Williamsburg's Historic Area literally search across the world to find the threads and fabrics they use to interpret the trade. From existing 18th-century household and commercial records, we have evidence of thousands of fabrics – some of which have not changed. Corduroy is a popular and versatile fabric still in use, although a broader variety of corduroy was available in the 18th century than we have today.
Myths and misconceptions
Contrary to popular belief, most cloth was not woven in colonial America. Cloth was the single largest import in the18th century, and tailoring was the largest trade in any metropolitan area until the 20th century. And, yes, men sewed. Almost every other colonial trade also used a needle. Blacksmiths used a needle to make bellows, shoemakers and saddle makers used a needle to make shoes and saddles; enlisted men in the military had to maintain their uniforms.
Tailors were almost always men. There is one reference in Williamsburg to a female tailor who was paid for her work, but she never advertised as being a tailor, and no other reference was made to her, leading historians to surmise she was likely the widow of a tailor who took up his trade when he died.
Learn more:
- Books: Books on the decorative arts
- Book: "What Clothes Reveal"
- Book: "Costume Close-up: Clothing Construction and Pattern, 1750-1790"
- Book: "Eighteenth Century Clothing At Williamsburg"
- Colonial Ladies’ Clothing
- Colonial Gentlemen's Clothing
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Swordmaking in the 18th Century
Colonial tradesmen learned the swordmaking craft as Virginia armed itself for war. Journeyman brass founder Suzie Dye describes the process. March 2, 2009
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Ironworks at Jamestown
Virginia's soil yielded unexpected resources. Journeyman Blacksmith Shel Browder talks about an early iron foundry at Jamestown. February 23, 2009
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Colonial Journalism
Political pressure and personal bias have hounded American journalists since the first newspapers were printed. Interpreter Dennis Watson talks about the Virginia Gazette. January 5, 2009
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Colonial Weapons System
As important as the cannon is the vehicle to carry it: a two-wheeled cart that transports, supports, and stores the weapon and its accoutrements. Wheelwright John Boag has the task of construction. December 15, 2008
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For What Ails You
For poxes, headaches, and fevers, the apothecary has a preparation to ease your symptoms. Medical historian Susan Pryor details the treatments. May 19, 2008
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Wealth on the Shelf
When a single book cost half a year's wages, tomes were rare treasures. Bruce Plumley describes the bookbinding trade. February 11, 2008
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The Cooper Trade

from the A good barrel begins with a fine tree, from the video "The Cooper's Craft: The Art of Colonial Barrel Making" and the Autumn 03 Journal
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The Cooper Trade

from the The cooper shapes the timbers into barrel staves, from the video "The Cooper's Craft: The Art of Colonial Barrel Making" and the Autumn 03 Journal
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The Cooper Trade

from the Coopering is a craft as old as civilization, from the video "The Cooper's Craft: The Art of Colonial Barrel Making" and the Autumn 03 Journal
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from the A cooper's tools are handed down through generations, from the video "The Cooper's Craft: The Art of Colonial Barrel Making" and the Autumn 03 Journal
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